IB Oral Presentation on Psycho

The link to the IB Oral Presentation can be accessed here:

https://soundcloud.com/user995131185/alexander-davis-ib-oral

or

http://snd.sc/X5D3ux

Film Language and Representation

Filmic Language/Representation in Psycho

From the five minute of Marion driving, the plot conflicts are emphasized, as the conflicts of the plot advance, mainly through voiceovers. During this time, there is little noticeable camera changes or positions, as the scene is nearly narrated by the other characters of the film, who are describing the plot. Using this method, Hitchcock is able to emphasize the actions occurring offscreen within the minds of the viewers. This “detached” version of the film’s narration provides interest in the visual intent necessity of the scene.

Certain perspectives suggest the previously stated “detachment” that occurs between the characters and viewers in relation to proxemics, as the viewers lack the insight that occurs with visual aide. Nonetheless, from alternate standpoints, this shot may seem intimate. The viewers may begin to associate with Marion and experience these narratives as a form of subconscious mentality. Marion never seems to respond directly with the dialogue, yet seems perplexed. The guilt of theft obviously affected Marion’s moral judgment, yet Hitchcock allows for viewers to decide on personal ways to perceive the character developments occurring; either by feeling intimacy with Marion, or detached from plot evolution with other characters. 

This scene occurs at night, therefore contains a significant lack of lighting. Darkness offers the possibility to allure to the obscurity of Marion’s ideals in response to her fall in corruption. The concept of Marion’s “obscure” mentality is emphasized by very little location changes or detailed set design. The medium shot of a car remains neutral of developments, allowing for Marion, and the viewers, to assess their opinions on the crime; as well as build suspense. Hitchcock does this for Marion’s moral values to therefore be reexamined and criticized, leaving the audience the ability to create symbolism through suspense.